Russia in Britain, 1880-1840: From Melodrama to Modernism

Editor: Philip Ross Bullock Rebecca Beasley
Translator: Philip Ross Bullock Rebecca Beasley

http://ukcatalogue.oup.com/product/9780199660865.do

The first comprehensive, interdisciplinary account of British fascination with Russian and Soviet culture in the period Written by a team of leading international scholars Focuses on institutions, disciplines and groups, rather than individuals The interdisciplinary approach shows the interconnection of the arts in the period A thorough and accessible introduction provides a clear overview of field The appendices allow new information from archives to be made available for the first time Russia in Britain offers the first comprehensive account of the breadth and depth of the British fascination with Russian and Soviet culture, tracing its transformative effect on British intellectual life from the 1880s, the decade which saw the first sustained interest in Russian literature, to 1940, the eve of the Soviet Union’s entry into the Second World War. By focusing on the role played by institutions, disciplines and groups, libraries, periodicals, government agencies, concert halls, publishing houses, theatres, and film societies, this collection marks an important departure from standard literary critical narratives, which have tended to highlight the role of a small number of individuals, notably Sergei Diaghilev, Constance Garnett, Theodore Komisarjevsky, Katherine Mansfield, George Bernard Shaw and Virginia Woolf. Drawing on recent research and newly available archives, Russia in Britain shifts attention from individual figures to the networks within which they operated, and uncovers the variety of forces that enabled and structured the British engagement with Russian culture. The resulting narrative maps an intricate pattern of interdisciplinary relations and provides the foundational research for a new understanding of Anglo-Russian/Soviet interaction. In this, it makes a major contribution to the current debates about transnationalism, cosmopolitanism and ‘global modernisms’ that are reshaping our knowledge of nineteenth- and early twentieth-century British culture.
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