Honorary Faculty Research Fellow (Oxford) and Research Fellow (ICI Berlin Institute for Cultural Inquiry)
Alberica Bazzoni is a Research Fellow at the ICI Berlin Institute for Cultural Inquiry. She completed her DPhil in Italian Literature at the University of Oxford, and then was Lector in Italian at the same university, and British Academy Postdoctoral Fellow at the University of Warwick (2017-2020), with a project on gender and the Italian literary canon. Her main research areas are modern Italian literature, sociology of culture, gender and sexuality studies and philosophy of time.
Mary Boyle is a Leverhulme Early Career Fellow and Junior Research Fellow at Linacre College, working on cross-cultural Anglo-German medievalism in the long nineteenth century. Mary also works on medieval German and English comparative literature more broadly, and particularly on medieval religious writing.
I am currently working on an interdisciplinary study of the relationship between words and music in Russian culture from the late eighteenth century to the present day, with a specific focus on the literary, musical and cultural history of the art-song repertoire, as well as on aspects of opera too. I continue to be interested in the modernist prose writers of the early-Soviet period, particularly Andrei Platonov (on whom I wrote my doctorate) and Isaak Babel’. My main areas of methodological expertise include theories of gender and sexuality, interdisciplinary approaches to the relationship between literature and the other arts, and the study of translation, reception and cultural exchange. I am a member of several international networks, including Writing 1900 (a research project jointly hosted by the University of Oxford and the Humboldt University in Berlin), the Study Group for Russian and East European Music (supported by the British Association for Slavonic and East European Studies), and the International Platonov Seminar. Since 2015, I have served as an elected member of the ‘wissenschaftlicher Beirat’ of the Tschaikowsky-Gesellschaft, and together with Alexandra Lloyd and Laura Tunbridge, I run the Oxford Song Network: Poetry and Performance at TORCH (The Oxford Research Centre in the Humanities).
Andrew Counter’s research considers the intersections of law, politics, sexuality and literature in France between the Revolution and the Great War. His work draws on a broad range of methodologies and considers multiple genres, including literary, legal, medical and political discourse, though he has a particular interest in the novel. His first book, Inheritance in Nineteenth-Century French Culture (Oxford: Legenda, 2010), was an interdisciplinary study of the use made by writers of fiction and non-fiction alike of the narratives, vocabulary and ideology of inheritance and property transmission. His second book, The Amorous Restoration: Love, Sex and Politics in Early Nineteenth-Century France (Oxford: Oxford University Press, 2016), explores the Bourbon Restoration (1814-30) as a period when discourses of love and sexuality provided an important vehicle for political discussion, and especially for the working through of post-revolutionary political resentments.
Spanish literature of the modern period (C19th and C20th), especially modernismo, poetry, cinema, music and the visual arts. More recently my interests have extended to questions of gender and sexual difference in representation. Member of the Advisory Board of the Centre for Iberian and Latin American Visual Studies (CILAVS: http://www.bbk.ac.uk/cilavs/ ), University of London (Birkbeck), and of the Centre for the Study of Contemporary Women’s Writing (CCWW: http://www.igrs.sas.ac.uk/research/CCWW.htm ) at the Institute of Germanic & Romance Studies, University of London (IGRS). Member of the editorial committee of HiPLAM (Hispanic, Portuguese and Latin American Monographs Bristol, and of FEDRO. Revista de estética y teoría de las artes (www.institucional.us.es/fedro ) of the University of Seville.
Tim Farrant’s main research interests centre on nineteenth-century prose narrative and literature and the visual arts. Recent work has included a general study on Balzac, papers on Hugo and Gautier, and Taylor and Nodier’s monumental topographical series, the Voyages pittoresques et romantiques dans l’ancienne France.
The Renaissance; Stylistics and poetics; poetry; autobiographical fiction; translation from Latin and Greek, and from English. I am currently working on a book exploring lacuna and omission in the construction of literary sense.
Ann Jefferson’s biography of Nathalie Sarraute (1900-1999) was published by Flammarion in a French translation by Pierre-Emmanuel Dauzat and Aude de Saint-Loup in 2019. The English version (Princeton University Press) came out in 2020.
I work on Russian literature and Russian cultural history from the late eighteenth century to the present day, and I have published a large number of books and articles on topics including urban history (St Petersburg: Shadows of the Past, Yale University Press, 2014), gender history and women’s writing, the history of childhood (Children’s World, Yale University Press, 2008 and Comrade Pavlik, Granta 2005, Russian translation 2009, Czech translation in process). I am the author, for Oxford University Press, of the Very Short Introduction to Russian Literature, and the editor of the anthology Utopias for Penguin. Soviet Art House, a study of Lenfil’m studio in the 1960s-1980s, appeared with Oxford University Press New York in 2021. I am now starting work on a ‘history and film’ project (focussing on the USSR after 1953) and am also writing a book in the ‘Russian Shorts’ series (Bloomsbury Publishing), Russian Food since 1800: Empire at Table. Lockdown experience of baking and fermentation has come in handy! I enjoy working with graduate and undergraduate students in my particular areas of interest, and regularly organise events such as visiting lectures and talks and film showings in order to bring Russian culture to a wider public.
My research interests are in the French novel in the twentieth and twenty-first centuries. I have published books on narrative form in the contemporary novel and on crime fiction pastiche in literary and experimental fiction. I am currently working on the second volume of an academic trilogy and theories of consciousness and their relevance to representations of the mind in literature and film.
Marc Lauxtermann is the Stavros Niarchos Foundation – Bywater and Sotheby Professor of Byzantine and Modern Greek Language and Literature and Fellow of Exeter College, Oxford University. He hails from Amsterdam. He has written extensively on Byzantine poetry and metre, and is the co-editor of a recent book on the letters of Psellos. Further research interests include translations of oriental tales in Byzantium and the earliest grammars and dictionaries of vernacular Greek.
Charlie Louth’s main research interests include poetry from the 18th century onwards, especially Goethe, Hölderlin, Mörike, Rilke and Celan; romanticism; translation; and comparative literature. He has translated Hölderlin’s letters, and done a new translation of Rilke’s Briefe an einen jungen Dichter and Brief des jungen Arbeiters. He has recently published Rilke: The Life of the Work (OUP, 2020).
Faculty Lecturer in French, Fellow of Hertford College
Katherine Lunn-Rockliffe’s main research interests are in the field of nineteenth-century poetry. She has worked on Symbolism and is the author of a book on Tristan Corbière. Currently she is working on Romantic verse, in particular a study of progress in Victor Hugo’s poetry.
Associate Professor of French, Fellow of St Hugh’s College
Ève Morisi’s research examines the interface of poetics, politics and ethics in French, Francophone, and comparative literature from the 19th to the 21st century. Several of her projects have focused on the ways in which literary representations of extreme violence and resistance have engaged critically with socio-political forms of oppression, State power, and lethal law at critical historical junctures.
Hugo and Baudelaire have been of particular interest for the 19th century; Camus and Algerian Francophone writers for the 20th and 21st centuries.
Cláudia Pazos-Alonso’s research examines Portuguese and Brazilian literature from the nineteenth century to the present day and twentieth century literature from Portuguese-speaking Africa. Her interests include genre and gender, canon-formation; women writers and images of women; Portuguese modernism; the role of literature in colonial and post-colonial representations of the nation.
She is Co-Editor for the Peter Lang series ‘Reconfiguring Identities in the Portuguese-Speaking World’, https://www.peterlang.com/view/serial/RIP and is currently the Vice-President of the International Association of Lusitanists.
Emeritus Professor of French; Emeritus Fellow of The Queen's College
My research interests lie in the field of French literature of the eighteenth and nineteenth centuries. My research has focused in particular, and at different times, on the works of Voltaire, Stendhal, Zola, Maupassant, and Mallarmé. From 2009 to 2011 I held a Leverhulme Major Research Fellowship for a project entitled ‘Moses or Orpheus? The Poet as Lawgiver in Nineteenth-Century French Literature’, in which I set out to examine how poets and writers envisaged the role of the poet and the nature and function of the ‘poetic’ during the period. My book Unacknowledged Legislators: The Poet as Lawgiver in Post-Revolutionary France: Chateaubriand-Staël-Lamartine-Hugo-Vigny was published by Oxford University Press in April 2016, and I am now working on a sequel, to include discussion of Nerval, Baudelaire, Flaubert, Laforgue, Rimbaud, and Mallarmé, among others.
Tony Phelan is currently working on the literary and philosophical effect of the friendship between Bertolt Brecht and Walter Benjamin, during their years of exile, including their conceptions of history and their investigation of gesture/Gestus. Benjamin, particularly in his study of Romantic art criticism and his work on Paris, in the Passagen-Werk, also provides a guiding critical approach to work on the philosophy and aesthetics of the Jena Romantics and their novels.
Kate Rees’s research interests include the work of Flaubert, the nineteenth century novel, ideas of progress and dynamism in literature, decadent writing and connections between the literature of the late nineteenth and late twentieth centuries, e.g. between Huysmans and Houellebecq.
Ritchie Robertson is interested in a wide range of authors and topics in the period from 1750 onwards, notably Kafka; Heine; Schiller; Austrian literature; and the Enlightenment as an international movement. He is convenor of the monograph series Germanic Literatures, published by Legenda.He is currently completing a general study of the Enlightenment for Penguin Books, and is planning a study of Machiavelli’s reception in Germany from the seventeenth to the early twentieth century.
Career Development Fellow in French, Queen's CollegeCollege Profile
My primary research interest is the relationship between technology, communication, the body, and collective politics. I focus in particular on how metaphors of disease (media parasites, viral media, smartphone addiction) govern the way we think about new communication technologies.
Professor of French Literature and Thought, Fellow of Jesus College
I work on eighteenth- and nineteenth-century French writing, and have published on Diderot and Sade, and on aspects of literary, cultural and medical history. I have translated a number of works by Diderot, Isabelle de Charrière, and others. I teach across this broad area.
Professor of French Literature, Fellow of The Queen's College
Seth Whidden’s research interests are in French literature of the nineteenth century. His work has focused in particular on poetry, and on questions of subjectivity, authority, collaboration, and parody. He is also the editor of the scholarly journal Nineteenth-Century French Studies.
Research: Russian Literature and Cultural History of XVIII early XIX centuries in European Context. Russian Literature and Ideology. Cultural History of Emotions. Late Soviet and Post Soviet Literature.