Medieval Studies Research

DPhil student at Somerville College specializing in Middle Low German literature, incunabula and early printed books, and the history of piety.

• My main research interests lie in medieval and early modern French literature, and in challenging the conventional distinction between them. As my postgraduate training was in Comparative Literature (French, Classics and Italian), I have a keen enthusiasm for working across national boundaries as well as chronological ones. My areas of specialty are literature and gender, courtly and erotic literature, and the influence of classical antiquity on medieval and early modern Europe.

My specialism is medieval French and Anglo-Norman language and literature. I have a particular interest in text editing and manuscript studies, and have worked in areas including comic and satirical literature, hagiography, and Apocalypse translations and commentaries.

Dr Conde’s main field of research is medieval Hispanic literature. He is the author of different publications on Pablo de Santa María, Poema de mio Cid, Celestina, Juan de Lucena’s Diálogo de vita beata, medieval historiography, medieval translation, and other topics related to that period. Others of his fields of expertise, in which he has also published extensively, are the history of the Spanish language (especially lexical history), textual criticism, bibliography, history of the book, and manuscript studies.

Henrike Lähnemann’s research interests are medieval manuscripts, the relationship of text and images and how vernacular and Latin literature are connected, currently mainly in late medieval Northern German convents (Letters of the nuns from Lüne, and the edition of prayer-books from the Abbey of Medingen). A major theme is the engagement with the Reformation. She is also a Senior Research Fellow at the FRIAS. 

Starting from my doctoral dissertation on the history of Bulgarian syntax, my research has focused primarily on the delimitation and interaction of various Slavonic vernaculars and the medieval literary language, Church Slavonic.  My primary data are drawn from the various translations of the Psalter produced up to the fifteenth century, and my investigations touch on the origins of Old Church Slavonic, medieval translation technique, evidence for prosodic and morphosyntactic developments (e.g. in clitic use, word division, tense distinctions, mood and verbal aspect), the principles and practice of textual criticism in application to Church Slavonic material, the palaeography of Cyrillic and Glagolitic manuscripts, and Church Slavonic hymnographical traditions.

Italian Renaissance Literature; Renaissance Humanism; Renaissance Literary Theory; Renaissance Biography; Alberti; Petrarch; Poliziano; Tasso; The Classical Legacy in Italian Literature; Translation in the Renaissance;  Contemporary Italian Fiction; Italo Calvino; Andrea De Carlo; Translation and Translation Studies.

Nigel Palmer’s research interests were in Medieval German language and literature. He is engaged in a collaborative research project, together with a group of colleagues in Germany, Switzerland and the US, on the ‘Literary topography of SW Germany in the later Middle Ages’, which is an attempt to establish a literary history of this region on the basis of the manuscript sources and library history (Latin and German). The project concentrates on Baden-Württemberg, Switzerland and the Alsace. One area of particular interest is the manuscripts from the Cistercian abbeys and nunneries in the region. His principal research project for the moment is an edition and commentary on an illustrated prayer book, the ‘Begerin-Gebetbuch’ from Strasbourg (now in Berne). Other areas of special interest are blockbooks and their place in early printing history, the interface between Latin literature and German literature in the Middle Ages, and palaeography and codicology of the period 1100-1550. He is editor of Oxford German Studies (together with Jim Reed) and of Medium Aevum (together with Corinne Saunders and  Sylvia Huot). He is a Fellow of the British Academy and a corresponding fellow of the Medieval Academy of America and of the Academy of Sciences in Göttingen. In 2007 he was awarded the Research Prize of the Alexander von Humboldt Foundation. In 2013 he was awarded a honorary doctorate by the University of Bern. His work as editor of Oxford German Studies was featured in the celebratory volume 50/4. In 2022, he was awarded the inaugural Meister-Eckhart-Forschungspreis. 

Associate Professor of Medieval Italian

Tutorial Fellow, Somerville College

Lecturer in Italian, St Catherine’s College and Lady Margaret Hall

Academic background

Helen Swift’s research interests straddle the late medieval and early modern periods, looking at the poetics of vernacular literature between 1330 and 1550. Her work is interdisciplinary, in that it often involves visual studies of text-image relationships, as well as studying the history of the book in this period of transition between manuscript and print cultures. She also integrates critical theory into her work as a tool for opening up new perspectives on earlier literature to modern readers. Her first book examined the literary and rhetorical structures of literary defences of women written by men in the period after Christine de Pizan. Her second book looked at questions of identity construction and narrative voice in late medieval France through the lens of literary epitaphs in response to the question: who am I when I am dead?