British Academy Post-Doctoral Fellow in Portuguese
André Penafiel was a Clarendon Scholar; his doctoral thesis (2016) focuses on arguably the most important genre within medieval Galician-Portuguese lyric, the cantigas d’amor. He is currently a British Academy Post-Doctoral Fellow working on Camões’s Os Lusíadas, the Portuguese national poem.
Professor of Medieval Spanish Literature and Philology, Fellow of Magdalen College
Dr Conde’s main field of research is medieval Hispanic literature. He is the author of different publications on Pablo de Santa María, Poema de mio Cid, Celestina, Juan de Lucena’s Diálogo de vita beata, medieval historiography, medieval translation, and other topics related to that period. Others of his fields of expertise, in which he has also published extensively, are the history of the Spanish language (especially lexical history), textual criticism, bibliography, history of the book, and manuscript studies.
As General Editor of the Complete Works of Voltaire, my main research interests are related to Voltaire, in particular his historical writings, his correspondence, his poetry, the Lettres philosophiques, and the Questions sur l’Encyclopédie. I am also interested in the French Enlightenment more generally, in the history of the book (in particular the illustrated book) and in questions of critical editing.
Apr. 2014–Mar. 2019 ERC Consolidator Grant for the project 15cBOOKTRADE: An Evidence-based Assessment and Visualization of the Distribution, Sale, and Reception of Books in the Renaissance, http://15cbooktrade.ox.ac.uk/
Marco Dorigatti graduated from Florence and then obtained a doctorate from the University of Oxford. His primary field of research is the chivalric poem of the Italian Renaissance from Boiardo to Tasso, especially Ariosto. He has edited various digital texts for the Oxford Text Archive and has published numerous articles on Boiardo, Ariosto and the chivalric tradition in the Renaissance, with significant studies also on the modern period (Grazia Deledda, Sibilla Aleramo, Virginia Woolf, Giuseppe Dessì) and on cinema (Michelangelo Antonioni and Ingmar Bergman). He is above all a philologist, and in this capacity he has produced the first-ever critical edition of Ariosto’s Orlando furioso secondo la princeps del 1516 (Florence, Olschki, 2006), published under the High Patronage of the President of the Italian Republic. Related interests: textual criticism and editing, textual bibliography, history of the book, Renaissance theatre and Renaissance women writers.
Tom Earle’s researches are concerned with Portuguese literature in the early modern period, especially poetry and drama; the historiography of the Portuguese expansion in Africa and Asia; scholarly editing; the history of the book, concentrating on books in Oxford libraries written in Latin by Portuguese scholars before 1640.
Associate Professor of French, Fellow of St Catherine's College
I work in the field of eighteenth-century literature and thought, with a particular interest in the ways in which authors create a public image of themselves, both in their lifetime and after their death.
Medieval Hispanic studies, with particular emphasis on literary and manuscript studies and the history of the book. Publications include articles on aspects of the texts and manuscripts of epic, balladry, chronicles, popular religious legends and other works, and the manuscript collector Sir Thomas Phillipps and his circle.
Dr Polly Jones teaches a wide range of modern Russian literature and Russian language for the faculty and college, and has published widely on Soviet literature and cultural politics. Her research interests centre on 20th-century literature and culture, especially of the post-Stalin period (1953-91). She also writes regularly for the TLS and the Times Higher, and has appeared several times on BBC radio and TV to talk about Russian culture.
Professor Maclean’s main research interests are in the fields of Montaigne; Cardano; history of the book in the late Renaissance; history of law, medicine and theology in European universities; and Aristotelianism.
Emeritus Professor of German Medieval and Linguistic Studies, Fellow of St Edmund Hall
Nigel Palmer’s research interests are in Medieval German language and literature. He is engaged in a collaborative research project, together with a group of colleagues in Germany, Switzerland and the US, on the ‘Literary topography of SW Germany in the later Middle Ages’, which is an attempt to establish a literary history of this region on the basis of the manuscript sources and library history (Latin and German). The project concentrates on Baden-Württemberg, Switzerland and the Alsace. One area of particular interest is the manuscripts from the Cistercian abbeys and nunneries in the region. His principal research project for the moment is an edition and commentary on an illustrated prayer book, the ‘Begerin-Gebetbuch’ from Strasbourg (now in Berne). Other areas of special interest are blockbooks and their place in early printing history, the interface between Latin literature and German literature in the Middle Ages, and palaeography and codicology of the period 1100-1550. He is editor of Oxford German Studies (together with Jim Reed) and of Medium Aevum (together with Corinne Saunders and Sylvia Huot). He is a Fellow of the British Academy and a corresponding fellow of the Medieval Academy of America and of the Academy of Sciences in Göttingen. In 2007 he was awarded the Research Prize of the Alexander von Humboldt Foundation. In 2013 he was awarded a honorary doctorate by the University of Bern.
Paola Tomè’s research interests focused on fifteenth-century scholarly works and culture. She has worked on Giovanni Tortelli (1400 c.ca – 1466), the first librarian of the rising Vatican Library, on the translations from Greek into Latin printed in the Veneto region in the fifteenth century, and has also dealt with the grammatical traditions from Antiquity to the Renaissance.
Helen Watanabe-O’Kelly’s main research interests are in German literature and culture from the late 15th to the early 18th centuries within their European context, in women’s writing in all periods and in the representation of women in German literature and culture. She has made a special study of early modern court festivals of all kinds throughout Europe and of court culture. Her most recent book is Beauty or Beast? The Woman Warrior in the German Imagination from the Renaissance to the Present (OUP 2010). She is the Project Leader of ‘Marrying Cultures: Queens Consort and European Identities, 1500-1800’, one of the 18 projects funded by HERA (Humanities in the European Research Area) as part of its ‘Cultural Encounters’ programme. The project involves collaboration with colleagues in Germany, Poland and Sweden. She is a Fellow of the British Academy.