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I research and teach German and comparative literature, film, and culture, with a specialism in European modernism and its global reception and continuing relevance today. I work across several languages, with a focus on German, Polish, and English. I am a Fellow of All Souls College as well as a member of the German Sub-Faculty and the Oxford Comparative Criticism and Translation Research Centre (OCCT), and a Fellow of the Higher Education Academy (FHEA).


My first book, Mann's Magic Mountain: World Literature and Closer Reading (Oxford: OUP, 2022), is the first study of Thomas Mann's landmark German modernist novel Der Zauberberg (The Magic Mountain, 1924) that takes as its starting point the interest in Mann’s book shown by non-academic readers, moving from interwar Germany and Soviet Russia to present-day Hollywood and Japan, and beyond. It is also a case study in a cluster of issues central to the interrelated fields of transnational German studies, global modernism studies, comparative literature, and reception theory: it discusses the global circulation of German modernism, popular afterlives of a canonical work, access to cultural participation, relationship between so-called 'high-brow' and 'low-brow' culture, and the limitations of traditional academic reading practices. The book aims to present at once a sharply focussed and widely applicable argument about how and why literary scholars can and should study non-academic reading practices.

My second book, Metamorphoses: In Search of Franz Kafka (London: Profile, 2024), aims to introduce this reader-oriented approach to a wider audience. It is an unconventional biography which tells Kafka’s story through the stories of his readers around the world, focusing on Oxford, Berlin, Prague, Jerusalem, and Seoul. In 2023, I received a British Academy Talent Development Award to continue the underlying research on the creative reception of Kafka in contemporary Korean culture, and presented this work at Durham University as the winner of the Ann Moss Early Career Keynote Lecture Competition.

I have also written on a range of other topics, including the afterlife of the Weimar-era German mountain film in contemporary Canadian cinema, Latin American responses to Alexander von Humboldt’s journey around 1800, Navid Kermani's writings on Eastern Europe, uses of culture in times of crisis, and the new global novel.  

Selected publications

Metamorphoses: In Search of Franz Kafka (London: Profile, 2024; rights also sold to the USA and Brazil) - reviewed in the Observer, Economist, Financial Times, New Statesman, Literary Review, List, and Kirkus Review; featured among the most anticipated books of 2024 in the New Statesman, New European, and New Zealand Herald

Mann's Magic Mountain: World Literature and Closer Reading (Oxford: OUP, 2022) - Waterloo Centre for German Studies Book Prize finalist; reviewed in Times Literary SupplementJournal of European Studies, and American Book Review

Journal special issue

'The White Rose and the Uses of Culture', co-edited with Alexandra Lloyd, Oxford German Studies, 52.1 (2023)

Journal articles

‘Kurban Said’s The Girl from the Golden Horn (1938): Play with Orientalism in Interwar Berlin and Vienna’, Modern Language Review, 119.2 (2024), 222-243

'Culture in Times of Crisis: Auerbach, Czapski, Nafisi'Oxford German Studies, 52.1 (2023), 120-129

'Guy Maddin's Careful and the Mountain Film: A Transnational Approach to German Film History'New German Critique, 49.2 (2022), 133-160

'Navid Kermani's Entlang den Gräben and Its Readers: Remapping Europe's East'Edinburgh German Yearbook, 15 (2022), 262-284

'Blind Spots on the Magic Mountain: Zofia Nałkowska's Choucas (1926)'The Slavonic and East European Review, 99.4 (2021), 676-698 - honourable mention in the Polish Studies Association’s Aquila Polonica Prize 

'Reluctant Readers on Mann's Magic Mountain (Ida Herz Lecture 2020)'Publications of the English Goethe Society, 90.2 (2021), 146-162

'World Literature and Literary Value: Is "Global" The New "Lowbrow"?'The Cambridge Journal of Postcolonial Literary Inquiry, 5.1 (2018), 53-68 - translated into Serbian in Polja (2024)

Book chapters

'Kafka’s Global Afterlives', with Katrin Kohl, in Kafka: Making of an Icon, ed. by Ritchie Robertson (Oxford: Bodleian, 2024), pp. 137-157

'Between Prussia and the Caribbean: Thinking the World with Humboldt, Ramos Sucre, de la Parra, and Restrepo', in German Romanticism and Latin America: New Connections in World Literature, ed. by Jenny Haase and Joanna Neilly (Oxford: Legenda, 2024), pp. 51-67


Article ‘Where to start with: Franz Kafka’, The Guardian (2024)

Radio programmes ‘Uneasy Dreams’ and ‘But I’m Not Guilty!’, with Ian Hislop, Helen Lewis, and others, Orwell vs Kafka, BBC Radio 4 (2024)

Radio programme 'Death in Venice', with Melvyn Bragg, Erica Wickerson, and Seán Williams, In Our Time, BBC Radio 4 (2023)

Radio programme 'Thomas Mann', with Matthew Parris and Susie Dent, Great Lives, BBC Radio 4 (2023)

Essay 'The Anxiety of Difficulty: Trying to Read Thomas Mann', The Point, 27 (2022) - translated into Polish in Znak (2024)

Podcast 'Magic Mountain on Goodreads: On Experiencing Mann’s Novel', with Kasia Krzyżanowska, Review of Democracy, Central European University (2022)

Podcast 'Looking East, Looking West: Should We Change How We Talk About Eastern Europe?', with Conor Brennan and Kasia Szymanska, The Hublic Sphere, Trinity College Dublin (2022)

Blog post 'Germany and Eastern Europe'EGS – Towards an Equitable German Studies (2020)

Policy pamphlet 'Willkommen in Europa? Die lokale Aufnahme von Geflüchteten', with Nicolas Chanut, Laura Führer, Hallvard Indgjerd, Marie-Alice Kernéis, and Manuel Liebig, Projekt Europa 2013/14 (2014)

I have also presented my research in English, German, and Polish at conferences and seminars organized, among others, by the American Comparative Literature Association, British Comparative Literature Association, German Studies Association, Association for German Studies in Great Britain and Ireland, English Goethe Society, German Screen Studies Network, Deutsche Thomas Mann-Gesellschaft, and Korean Kafka Society.


I grew up in Krakow, Poland, before moving to Oxford, where I studied for a BA in German at Magdalen College and graduated with a congratulatory first-class degree in 2015. During my Year Abroad in Germany, I studied Swedish and Spanish at the Humboldt-Universität, as well as European Studies at the Studienkolleg zu Berlin, funded by the Studienstiftung des deutschen Volkes.

In 2016, I completed an MSt in German and Comparative Literature with distinction, also at Magdalen College, funded by an Ertegun Scholarship. I was awarded the American Comparative Literature Association's Presidential Master's Prize for the best master's thesis on a comparative topic. In 2019, I completed a DPhil in Modern Languages at Merton College funded by a Clarendon Scholarship. My thesis was titled 'Der Zauberberg and the Pleasures of Immersive Reading'. I was awarded the 2018 American Comparative Literature Association’s Horst Frenz Prize for a paper based on my doctoral research on Thomas Mann and his readers around the world. 


At Oxford, I have given undergraduate tutorials, classes, and lectures on a wide range of topics, including German grammar, translation from German to English, modern German literature, and German film (for Prelims Papers I, II, III, IV, XI, and FHS Papers VIII, X, XII, XIV). I was also Sessional Lecturer at the University of Reading in 2018.

I have taught graduate students at Oxford as part of the MSt and MPhil in Medieval and Modern Languages, as well as the MSt in Comparative Literature and Critical Translation and the MSt in World Literatures in English. In 2019-22, I convened the Method Option 'Spaces of Comparison'. Each year my students won prizes for their work on this module. In 2021, I co-designed a new Special Subject 'Looking East, Looking West: Comparative Perspectives on Polish Literature'. I currently co-supervise a DPhil student in this area.

Access, outreach, and public engagement

In 2019-22, I coordinated 'A German Classic', Oxford German Network's essay competition for sixth formers. Nearly 500 students from schools all over the UK participated in the programme and the videos in which I spoke to Oxford academics and students about our set texts have been viewed more than 20,000 times on YouTube. I also regularly give German and Polish taster sessions for various other outreach and access projects, including UNIQ and Opportunity Oxford. I have run several similar classes in Poland as a member of Collegium Invisibile, a Polish non-profit academic organization.

I served as Judge (2020) and Head Judge (2021) for the Oxford-Weidenfeld Translation Prize for literary translations into English from any living European language, and currently serve as co-curator of ‘Kafka: Making of an Icon’, an exhibition at the Bodleian Library in Oxford and the Morgan Library in New York (2024).