German Research

Carolin Duttlinger’s research interests are in modern German literature, thought, and visual culture, with a particular emphasis on modernist and contemporary literature. She has worked on such areas as Weimar photography, on the history and theory of perception, on literature, memory and trauma, and on literature and anthropology. She has published widely on authors such as Franz Kafka, Walter Benjamin, Theodor W. Adorno, Robert Musil, Alfred Döblin, Elias Canetti, Ruth Klüger, Thomas Kling and W.G. Sebald. Her current principal research  project explores the dialectical interplay between attention and distraction in twentieth-century German culture.

Carolin Duttlinger is Co-Director of the Oxford Kafka Research Centre and a member of the Executive Board of the International Walter Benjamin Society.

With Prof. Daniel Weidner (Humboldt University Berlin), she is heading an international research project on Walter Benjamin’s Journalistic Networks, funded by the Oxford-Berlin Research Partnership.

See also her film on Franz Kafka’s novel Der Verschollene (Amerika): https://www.youtube.com/watch?v=zHHyBy8al3k 

Kirstin Gwyer’s research interests are in twentieth- and twenty-first-century literature, with a particular focus on Holocaust literature and contemporary Jewish writing, postmodernism and post-postmodernism, literature since the Wende, and comparative contemporary aftermath writing.

Kerstin Hoge’s research interests are in the field of German and Yiddish linguistics, with particular focus on syntactic theory and the study of wh-movement and small-clause constructions. Further ongoing research interests are Yiddish children’s writing and the question as to how language is used in the construction of social and personal identity. She is the review editor of the Journal of Linguistics.

Katrin Kohl’s research focuses on literature and cultural politics in the eighteenth and twentieth/twenty-first century. She is currently working on an edition of the poetic correspondence between Rainer Maria Rilke and Erika Mitterer, investigating dialogic processes in the period of modernism. Other research interests include the Prussian king Frederick the Great; the work of the eighteenth-century poet F.G. Klopstock; the work of holocaust-survivor H.G. Adler; and the theory and practice of metaphor.

Henrike Lähnemann’s research interests are medieval manuscripts, the relationship of text and images and how vernacular and Latin literature are connected, currently mainly in late medieval Northern German convents (Letters of the nuns from Lüne, and the edition of prayer-books from the Abbey of Medingen). A major theme is the engagement with the Reformation. She is also a Senior Research Fellow at the FRIAS. 

Dr Alex Lloyd teaches German language and literature from the mid-eighteenth to the twenty-first century, translation between German and English, and film studies. Her main research interests lie in twentieth-century literature and visual culture and cultural memory studies. She leads the White Rose Project, a research and engagement initiative bringing the story of the White Rose resistance circle to English-speaking audiences. 

I am a Leverhulme Early Career Fellow in the Department of Modern Languages and Junior Research Fellow at Wolfson College. Previously I was a Teaching Fellow at Durham University and JSPS Postdoctoral Researcher at Tokyo University.

My main areas of research are the literature and culture of the ‘threshold period’ between 1780 and 1830, modernism, and contemporary drama. Increasingly I have been working in the field of Medical Humanities and the Enlightenment Studies.

Georgina Paul works principally in the field of contemporary German literature. She specialises in the literature of the GDR (East Germany) and literature post-unification, and has published some important essays on Christa Wolf in particular. She also has a lively interest in gender issues — how gender is theorised, what it means to be a gendered subject, and how this is represented and reflected upon in literary texts. She is a published translator, both of scholarship and of contemporary poetry.

Ritchie Robertson is interested in a wide range of authors and topics in the period from 1750 onwards, notably Kafka; Heine; Schiller; Austrian literature; and the Enlightenment as an international movement.  He is convenor of the monograph series Germanic Literatures, published by Legenda.He is currently completing a general study of the Enlightenment for Penguin Books, and is planning a study of Machiavelli’s reception in Germany from the seventeenth to the early twentieth century.

Research interests focus on medieval German literature in its interdisciplinary context, e.g. the dialogue between vernacular and Latin culture, dialogue as a literary form, and the use of song. Recent publications include studies on the use of song in mystical writing, and collaborations with colleagues from musicology on the interplay between music and text in the ‘Jenaer Liederhandschrift’  and the ‘Carmina Burana’ manuscript.

Robert Vilain specializes in German, Austrian, French and Comparative Literature in the late 19th and early 20th centuries, with a special interest in lyric poetry. He has published widely on authors such as Hofmannsthal, George, Rilke, Yvan and Claire Goll, Thomas Mann, on Franco-German literary relations, detective fiction and the relationship of literature to music and the visual arts.

Professor Vilain was until recently Germanic editor of the Modern Language Review (from October 2013, having previously been joint editor of Austrian Studies from 2003 to 2010) and co-edits the book series Studies in Modern German and Austrian Literature with Alexandra Lloyd (St Edmund Hall) and Ben Schofield (KCL). With Dr Steve Wharton (Bath) he was co-director of the South-West Consortium of the HEFCE-sponsored Routes into Languages.

Between 2014 and 2017 Professor Vilain was one of three investigators (with Professor Andrew Webber, Cambridge, and Dr Judith Beniston, UCL) on a major AHRC-funded project supporting a Digital Critical Edition of the Middle-Period Works of Arthur Schnitzler, to be hosted on the Cambridge University Library website. This project and a further collaboration with the British Library on the Stefan Zweig archive have fully funded two PhD studentships.

Helen Watanabe-O’Kelly has always been interested in German literature and culture from the late 15th to the 18th centuries within their European context, in women’s writing in all periods and in the representation of women in German literature and culture. She has made a special study of early modern court festivals of all kinds throughout Europe and of court culture. Her most recent research, however, has expanded its chronological range. Her book Beauty or Beast? The Woman Warrior in the German Imagination from the Renaissance to the Present (OUP 2010) examines literature and art right up to the 1990s. Her most recent book, Projecting Imperial Power. New Nineteenth-Century Emperors and the Public Sphere, discusses new emperors in France, Austria, Germany, Brazil, Mexico and India from 1804 to 1947 (OUP 2021). She was the Project Leader of ‘Marrying Cultures: Queens Consort and European Identities, 1500-1800’, one of the 18 projects funded by HERA (Humanities in the European Research Area) as part of its ‘Cultural Encounters’ programme. The project involved collaboration with colleagues in Germany, Poland and Sweden. She is a Fellow of the British Academy and was awarded an honorary DLitt by the National University of Ireland in 2016.