My doctoral project, funded by the Clayton-Graduate Scholarship of Merton College, investigates Walter Benjamin evolving theoretical writing style of the 1920s as intercultural criticism and encounter, navigating between avantgarde practices of Soviet Russia, Germany and France. Therefore, I want to examine and situate his modes of experimental writing in the horizon of international mediation between the three cultural political contexts of Moscow, Berlin and Paris. Benjamin’s transnational optic will be contextualised within his travels and efforts to extend his journalistic network in the role of a literary mediator to Moscow and Paris. By tracing his interest in forms and media of intercultural encounter in the 1920s––such as maps, travel reports, or journalistic networks––I will recast the significance of his Moscow experiences in the 1920s for his politicization, method as a critic and his cultural historiography and media theory around the French Avantgarde and Paris in the 1930s. The project was recently also affiliated to the German-Russian Research Network, Internationales Graduiertenkolleg Freiburg-Moskau ‘Kulturtransfer und “kulturelle Identität” – Deutsch-russische Kontakte im europäischen Kontext’. For the academic year 2021/22, I will be a visting researcher at the Leibniz-Zentrum für Literatur- und Kulturforschung in Berlin.
In more general terms, I am interested in Philosophy and Literature in the German, Russian and French tradition of modern thought, media and art theory, studies of transnationalism and cultural transfer, and how they intersect.
‘Dialogical Thinkers without (intercultural) dialogue. Russian and German-Jewish dialogism of the 1920s and the question of (trans)nationalism’ in: Jusaica Petropolina (under review)
‘“K-Punk”. Bloggen in Großbritannien als “Netz-Werk-Statt” in Small Critics. Transmediale Konzepte feuilletonistischer Schreibweisen der Gegenwart, ed. by Oliver Ruf and Christoph Winter (forthcoming this year)