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Film Still from Salome Aleksi's Line of Credit. Scene of a family dinner party of twelve sitting around the table, including three young people, one middle-aged man, one elderly man and six elderly women. Standing behind the table, in a central location, is an elegant woman in her 40s, the matriarch of the family. Structurally, the composition is reminiscent of Leonardo Da Vinci's famous painting 'The Last Supper'. The colour scheme is dominated by muted, pastel colours, except for the green lampshade.
Postcolonial Identities in Central Asian and Caucasian Literature

This is the first major study to examine post-Soviet literature from the Caucasus and Central Asia and to employ postcolonial theory as its methodology.

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Fanon’s ‘grin’ and Postcolonial Theatre in France
French, Black History, Black History Month, Theatre, Postcolonial Maison Française d'Oxford

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